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Man of La Mancha

PERFORMANCES

March 16th, 2018
March 18th, 2018

LOCATION

Saenger Theatre

LANGUAGE

English 

COMPOSER

Dale Wasserman, Mitch Leigh, and Joe Darion

details

One of America’s most beloved musical dramas finds its rightful place on the Pensacola Opera stage. Set against the backdrop of the Spanish Inquisition, Man of La Mancha finds the author Miguel de Cervantes imprisoned and charged with treason. Assuming the guise of the Knight-Errant Don Quixote, he and his fellow prisoners dare to “dream the Impossible Dream” as they begin their journey to the truth.

To read the full Opera synopsis please click here.

Cast

Corey McKern

as Don Quixote
Baritone

Award-winning baritone Corey McKern continuously earns critical acclaim and accolades in every appearance he makes. Of his performance as Figaro in Il barbiere di Siviglia, critics hailed: “Corey McKern… has all the goods to rise to star stature – timing, stamina, vocal heft and an easy-going stage presence – especially telling in Figaro’s signature aria, ‘Largo al factotum della citta.’” Recent engagements include the role of Older Thompson in Glory Denied with Opera Birmingham and performances as a soloist in Carmina Burana with Missoula Symphony, and Handel’s Messiah with the Alabama Symphony. Other engagements include Beethoven’s Symphony No. 9 with the Tallahassee Symphony and a return to the Florentine Opera for a concert of “Opera’s Greatest Hits.” Upcoming, Corey will return to Pensacola Opera as the title role in their production of Don Giovanni.

Of his performance in La bohème, the Santa Fe New Mexican said, “Corey McKern’s resolute, robust-voiced and rambunctious Marcello, a perfect picture of a wannabe Parisian painter, was one of the best I’ve ever heard.” Mr. McKern garners attention at leading opera houses for his charming and dynamic portrayals of his signature roles: Marcello in La bohème in his Asian début at Opera Hong Kong, Santa Fe Opera, Florentine Opera of Milwaukee, Nashville Opera, and Opera Grand Rapids; Figaro in Il barbiere di Siviglia with Nashville Opera and Opera Birmingham; the Count in Le nozze di Figaro with Nashville Opera, Opera Cleveland, Opera Columbus, Michigan Opera Theatre, Tulsa Opera, Opera Birmingham, and Syracuse Opera; Gabriel von Eisenstein in Die Fledermaus with Nashville Opera and Florentine Opera; Papageno in Die Zauberflöte with Opera Omaha, Arizona Opera, Opera Birmingham, and Tulsa Opera; as Silvio in Pagliacci with Austin Lyric Opera, Arizona Opera, Opera Birmingham, and Central City Opera.

Karin Mushegain

as Aldonza
Mezzo-Soprano

Karin Mushegain, called “superb” (The New York Times), and hailed for possessing “a rich voice and infectious theatricality” (Colorado Gazette), is captivating audiences with her exciting, energetic portrayals, dramatic poise, and dynamic vocal sound. During the 2016 – 2017 season, Ms. Mushegain portrayed Aldonza in Man of La Mancha with Indianapolis Opera, made her role debut as Despina in Così fan Tutte with Pasadena Opera, and sang Handel’s Messiah in concert with The Salastina Music Society.

Orin Strunk*

as Sancho
Tenor

Tenor Orin Strunk is a 2015 graduate of Westminster Choir College, where he received his Master’s Degree in voice performance. Orin currently studies with Jack LeVigni. Past voice teachers include Laura Brooks Rice, Lindsey Christiansen and Tamara Black. Mr. Strunk also studied with Lorraine Nubar while attending Juilliard’s Pre-College Voice Program. This past summer, Orin participated in numerous productions with the Janiec Opera Company at the Brevard Music Center. At Brevard, Mr. Strunk debuted the role of Dr. Fowler in the world premiere of J. Mark Scearce’s Falling Angel. Orin also sang the roles of Tom Snout/The Wall in Britten’s A Midsummer Night’s Dream and the First Armoured Man in Mozart’s The Magic Flute. Mr. Strunk is currently working as a chorus member with Opera Philadelphia, where he participated in their productions of Cold Mountain, Capriccio and L’elisir d’Amore, during the 2015-2016 season. Recently, Orin appeared in the chorus for Opera Philadelphia’s production of Turandot, during the 2016-2017 season. Future engagements include Rossini’s Semiramide with Opera Delaware, where Orin will sing in the chorus, and Floyd’s Susannah with Baltimore Concert Opera, where he will sing the role of Little Bat.

Eric Wassenaar

as Padre
Tenor

Eric is a native of South Dakota graduated with a Master’s Degree in vocal performance at the University of Colorado Boulder. There he was a featured soloist in Leonard Berstein’s Mass. In 2010 he performed the role of Tamino in Die Zauberflote with The Opera Theatre of the Rockies and again in 2012 with The Sounds of South Dakota. Eric earned his bachelor’s degree at Augustana University in Sioux Falls, South Dakota. As a 2013 Danis Wilson Apprentice Artist at Sugar Creek Opera he sang Lenny in Of Mice and Men and Sam in Susannah.

Evelyn Saavedra

as Antonia
Soprano

Praised for her “lustrous soprano voice”, Evelyn Saavedra is quickly establishing herself as a “gifted young singer to watch” (South Florida Classical Review). Born in Cuba and raised in Miami, Florida, Evelyn returned to Pensacola Opera for the 2017/18 season as an Artist in Resident where she was seen in the roles of Maria in Maria de Buenos Aires, Kate Pinkerton in Madama Butterfly, and Antonia in Man of La Mancha. During the 2016/17 season, she debuted as Young Alyce in Glory Denied, Sacerdotessa in Aïda, and Sister Catherine in the Florida premiere of Jake Heggie’s Dead Man Walking, where she also covered the role of Kitty Hart. Other operatic credits include Susanna in Le Nozze di Figaro, Rose in Street Scene, The Governess in The Turn of the Screw, Featured Dater in the world premiere of Michael Ching’s Speed Dating Tonight, and Agrippina in Agrippina where she was praised for “coloring her vocalism expressively… she dominated every scene, singing with striking dramatic heft and passion” (South Florida Classical Review).

In 2016 she returned to the Janiec Opera Company at the Brevard Music Center to perform the female title role of Epiphany Proudfoot in the world premiere of Falling Angel, an opera by J. Mark Scearce, where she was lauded for being an “alluring soprano (who) brought sensitivity to Epiphany” (Wall Street Journal). On the concert stage she has been featured in Mozart’s Coronation Mass and Handel’s Messiah with the Choral Society of Pensacola. The 2017/18 season marked her debut with the Pensacola Symphony Orchestra where she appeared as a soloist in their Mozart Madness concert. Other credits include soprano soloist in Vaughn Williams’s Serenade to Music conducted by Keith Lockhart as well as his Symphony No.3 conducted by Jayce Ogren with the Brevard Music Center Orchestra.

Ms. Saavedra holds a Master’s Degree in Vocal Performance & Literature from the Eastman School of Music where she received the first prize at the Friends of Eastman Opera Competition in 2015, and a Bachelor’s Degree in Vocal Performance from Florida International University.

Ryan Hill*

as Innkeeper/Governor
Baritone

Ryan Hill is a young baritone from Ft. Lauderdale, Florida where Lawrence Budmen of southfloridaclassicalreview.com reviewed him in his turn as the villains in Les contes d’Hoffmann with the Miami Music Festival as, “the personification of evil,” “downright scary” and having a “deep and voluminous baritone.”  Mr. Budmen also reviewed Ryan’s performance of Lockit in The Beggar’s Opera as “scene stealing,” and clevelandclassical.com says his “voice rang vibrantly throughout the hall” for his performance as Peter in Hänsel und Gretel. This coming season has Ryan making role and house debuts in three different houses.  He will appear as William Dale in Silent Night this October with Piedmont Opera in Winston-Salem, NC, and as Fiorello in Il barbiere di Siviglia with Greensboro Opera in January.  Following that, Ryan will make his debut with Pensacola Opera in March as the Innkeeper/Governor in Man of La Mancha. In previous seasons, Ryan was a young artist with the Seagle Music Colony, the oldest opera and musical theater training institution in the country, for two summers.  There, Ryan had the opportunity to perform the roles of Tony Esposito in The Most Happy Fella, Ford in Falstaff and Mayor Shinn in The Music Man.  He also  performed in an educational outreach tour and a musical revue throughout the Adirondacks, and workshopped and debuted the opera, Roscoe, by Evan Mack.  In 2016, Ryan was a Resident Artist with Opera Naples in southwest Florida, where he sang the role of Barone Douphol and covered the role of Germont in Verdi’s La Traviata.  Ryan performed with Fresh Squeezed Opera and sang the role of John in a production of Whitney George’s, The Yellow Wallpaper. In addition to his operatic credits, Ryan is a playwright with credits in Florida and New York.  In 2010, his short play, Parable, was performed at the University of Miami’s New Play Festival and was chosen for a staged-reading at the Empire Stage in Ft. Lauderdale, Florida.  Ryan participated in the Young Playwrights, Inc. Urban Retreat program in 2010 where his short scene, Happy Hour, had an off-Broadway reading. Ryan holds a Bachelor’s degree from the University of Miami and a Master’s degree from the Cleveland Institute of Music.

Brent Hetherington

as Dr. Carrasco
Baritone

Brent returns to Pensacola Opera from Gladewater, TX. He recently graduated from the University of Tennessee with his Masters of Music degree in Vocal Performance and graduated with his Bachelor of Music from East Texas Baptist University. For the past two summers, Brent was seen as a Bonfils-Stanton Young Artist with Central City Opera, as well as a Young Artist with Knoxville Opera for two seasons. In his spare time, Brent enjoys reading, fishing, hiking, and playing with his dog, Rosie.

Camille Sherman*

as Housekeeper
Mezzo-Soprano

Mezzo-soprano Camille Sherman hails from the California North Bay Area. In the 2019-2020 season, Ms. Sherman returned to the Portland Opera Resident Artist Program, where she was seen on their mainstage as Kate Pinkerton as well as covering Suzuki in Madama Butterfly, Sally in A Hand of Bridge, Announcer in Gallantry, and Asteria in the American professional premiere of Vivaldi’s Bajazet. Previous credits with Portland Opera include Flora Bervoix in La Traviata and Ramiro in La Finta Giardiniera, as well as covering roles Hannah After in As One and Rosina in Il Barbiere di Siviglia. Ms. Sherman also returned to Pensacola Opera in 2019 to make her role debut as Stéphano in Roméo et Juliette.

During the 2017-18 season, Ms. Sherman joined Pensacola Opera as an Artist in Residence, performing the role of María in María de Buenos Aires and the Housekeeper in Man of La Mancha, in addition to covering roles Aldonza in Man of La Mancha and Suzuki in Madama Butterfly. Ms. Sherman’s recent seasons include role debuts as the Komponist in Ariadne auf Naxos (Berlin Opera Academy, 2017) and Hermia in A Midsummer Night’s Dream (Janiec Opera Company, 2016). In addition to her stage career, Ms. Sherman has also appeared in concert with Nashville Opera and the Pensacola Symphony Orchestra, and will debut with Naples Philharmonic as a soloist in Handel’s Messiah this winter.

Over the last few years, Ms. Sherman has garnered acclaim in several competitions, including the Metropolitan Opera National Council Auditions where she was recently named a National Semi-Finalist after having won the Northwest Region, and where she won an Encouragement Award in the competition’s Middle/East Tennessee District the previous year. She was a finalist in the Tier 1 of the James Toland Vocal Arts Competition (2019) and the Brava! Opera Theater Competition (2016). She is a two-time winner of the Kalvelage Memorial Award in the Henry and Maria Holt Competition (2016-17) and secured the Jorge Estebanez Scholarship from The San Francisco Conservatory of Music (2016).

During her vocal training, Ms. Sherman was in residence at the Janiec Opera Company and at OperaWorks. Ms. Sherman holds degrees in vocal performance from some of the nation’s most prestigious institutions, including a master’s degree from The San Francisco Conservatory of Music, where she studied with Catherine Cook, and a bachelor’s degree from The Boston Conservatory. In addition to her work as a singer, Ms. Sherman is an experienced pianist, flautist, and musical arranger.

* Pensacola Opera debut artist

Creative & Production Team

STAGE DIRECTOR | Dean Anthony
CONDUCTOR | Cody Martin
PIANIST | Deniz Uz
CHORUS MASTER | Cody Martin

SET DESIGNER | Robert Gandrup
LIGHTING DESIGNER | Charles Houghton
COSTUME DESIGNER | Glenn Avery Breed
WIG AND MAKE-UP DESIGNERS | Don and Linda Guillot
TECHNICAL DIRECTOR | Phillip Brulotte

ALSO APPEARING:
Members of the Pensacola Symphony Orchestra

* Pensacola Opera debut artist

Man of La Mancha Extras

Meet the Artists Luncheon

Tuesday, March 6 at 11:30 AM,
Cost: $30

Meet the Artists Reception

Friday, March 16 after the show
Cost: $50, $40 for Season Subscribers

Director’s Champagne Brunch

Sunday, March 18 at 11:45 AM
Cost: $50

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